rasx() on Media: “Bridezilla”

Bridezilla

Now let’s get back to normal—with the Normans and other Anglo Saxon visions seen by billions of people of all colors. Ah, doesn’t it feel comfortable now? Don’t you feel a sense of relief now that order is restored? Let’s get back to reality here and look at the we.tv billboard above:

Now, to the next level (here we go again): when a Black woman wears her hair this short she is taking a stand that sets her apart from “the norm.” She has colored and white women ‘wondering’ about her. So when “we” see her scowling and growling like this at her own wedding, “we” can laugh at her because she was “foolish” enough to set herself apart from “the norm” with that short hair and slim figure. Who does she think she is? Julienne Malveaux? But I guarantee you, sister, the real woman who occupied the body that posed for this photograph has no problems that remotely resemble this shit. Go to we.tv and see the real hefty hussies sporting matrimony. we.tv should be paying me for this guerrilla marketing!

The suggestion here is that this particular we.tv billboard plays on the tendency of petty jealousies among egocentric women of patriarchy. This cultural norm is often sold as “human nature” instead of the pervasive power of the Imperial Cultural Revolution. I’m going to take a wild guess and say that egocentric women of patriarchy is large demographic so it’s probably worth it… Swaddled in the white-liberal idealism of my youth, it took me a very large time to consider the possibility that some women are not happy for other women when they get married. Such petty pleasures may be fine entertainment for the “silent majority” but for those of us who are fully conscious when we speak of community—namely African community—we know that laughing at fundamentally flawed unions between man and woman is very difficult. Son House calls this The Blues. We know that children suffer when they are raised in this fundamentally flawed situation. Many of these children grow up and provide more human resources for The Prison Industrial Complex. To paraphrase something I read in a Basquiat painting, “There’s good money in savages.”

rasx()